German Chancellor Angela Merkel has balls. From Reuters:
BERLIN (Reuters) - Chancellor Angela Merkel urged Germans on Wednesday not to bow to fears of Islamic violence after a Berlin opera house canceled a Mozart work over concerns some scenes could enrage Muslims and pose a security risk.
"I think the cancellation was a mistake. I think self-censorship does not help us against people who want to practise violence in the name of Islam," she told reporters. "It makes no sense to retreat."
Merkel's comments, which echoed those of other senior German politicians, fueled a row over the cancellation of Mozart's "Idomeneo" that overshadowed a government-sponsored conference to promote dialogue with the country's 3.2 million Muslims.
Berlin's Deutsche Oper said on Monday it had pulled performances of the opera, which features a scene depicting the severed heads of the Prophet Mohammad, Buddha and Jesus, after police warned it could pose an "incalculable" security risk.
HOORAY...that's ONE
ReplyDeleteMerkel ... a German Thatcher? Let's hope.
ReplyDeleteOr at least a sign that finally people have truly had enough. HOPEFULLY!!!
ReplyDeleteMost people and newspapers in Germany criticize the cancellation of this Mozart opera, incl. representatives Muslim organization.
ReplyDeleteIt seems that the cancellation will be revoked and this opera will be shown after all. What a great and shrewd publicity stunt the opera house made by first announcing the cancellation. Usually hardly anybody would be interested in that opera, but now it is the talk of the town.
I think I am in a very small minority who approved of the cancellation. That opera is an insult to other religions (since it shows the severed heads of Jesus and Buddha as well) and to Mozart, the composer, himself.
What benefit would we get if we had this opera? It seems the only reason to defend this stupid opera is to avoid giving the impression of appeasement to the Islamofascists. That's not enough for me.
I think this opera would only strengthen Islamofasicsm since it would help their propaganda. To win the war on terrorism, we need to have moderate Muslims on our side, so that they don't support the terrorists, but give us information about them. And we want the moderate Muslims to win over their autocratic governments and fundamentalist groups in the Arab world. This opera, however, alienates the moderate Muslims and helps the fundamentalists.
Let's not forget that Muslims are not the only group who dislikes controversial art:
Earlier this year:
"A New York theatre company has put off plans to stage a play about an American activist killed by an Israeli bulldozer in Gaza because of the current "political climate" - a decision the play's British director, Alan Rickman, denounced as "censorship"."
http://www.smh.com.au/news/world/theatre-gets-stagefright-over-play-on-israeli-death-of-activist/2006/02/28/1141095740986.html
And then there is this from Oct 23, 1998: "Last May, William Donohue, the ever-vigilant president of the Catholic League for Religious and Civil Rights, raised quite a ruckus about the fact that Corpus Christi, Terrence McNally's play-in-progress, featured a gay, Christ-like protagonist who has sex, off-stage, with his male disciples. Donohue, who has a gift for strained analogies that rivals McNally's own, has called the play "hate speech," "bigotry," and of course "blasphemy." He has argued that a similar depiction of a black or Jewish religious figure would be roundly condemned. Only Catholics and their beliefs, Donohue insists, are held up to such ridicule."
Long article here:
http://www.findarticles.com/p/articles/mi_m1252/is_n18_v125/ai_21273530
Yeah, yeah, this only happens to Catholics.... Right! And some Jews say these kind of attacks only happen to Jews. And some Muslims say those things only happen to Muslims.
"On May 23, 1998, the New York Times announced that the Manhattan Theatre Club would be canceling its scheduled production of playwright Terrence McNally's newest play, Corpus Christi, due to bomb and death threats made against the theatre, its personnel, and the playwright. The Catholic League for Religious and Civil Rights disavowed responsibility for the threats but did publicly applaud the decision, calling the play "blasphemous." A week later, after counter-demonstrations by a roster of well-known contemporary playwrights, the play was reinstated at MTC. Although the Catholic League's president had not read the play, reports claiming that it depicted a gay Jesus-like figure who has sex with his apostles was enough to ignite a series of events that captured the attention of New Yorkers, theatre artists and others, perhaps to a greater extent than McNally's play itself. On opening night, two separate demonstrations took place concurrently on opposite ends of the block outside the theater."
ReplyDeletehttp://muse.jhu.edu/cgi-bin/access.cgi?uri=/journals/theatre_journal/v051/51.2pr_mcnally.html
My blog: The Atlantic Review, A press digest on transatlantic affairs edited by three German Fulbright Alumni