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Friday, August 28, 2015

Full Metal Jacket: The Culturist Implications

Here is my problem: I am promoting a culturist version of Darwinian literary studies and very few political activists see an urgent and vital connection between Darwinian literary studies and their patriotic cause.  Fortunately, Stanley Kubrick’s powerful Vietnam War film, Full Metal Jacket, makes the connection clear.

Kubrick’s film follows the career of one recruit ‘Joker’ (Matthew Bodine) go from boot camp to the war, wherein he works as a reporter / propagandist for the military newspaper.  In this position, Joker sardonically parodies the war. But, after the Tet offensive, the propaganda chief panics that newsman Walter Cronkite will go say the war is unwinnable.  At this point, the chief stops humoring Joker and sends him into combat.  
We all know how disagreement over the Vietnam War’s meaning tore up the United States.  But, we must also come to see the importance of narrative in current politics.  Black Lives Matter, foreign aid, and the resettling of refugees into the West are justified by a narrative that paints the West as having sins for which to atone.  These would all come to a halt if the publicly largely believed the West were a unique cultural gem that needed protection.

Famously, Full Metal Jacket portrays raw indoctrination in boot camp.  The opening shot shows the recruits getting their heads shaved: their old self is to die, so that they might be reborn.  The drill instructor then proceeds to call them ‘gay,’ ‘ladies,’ and ‘fat bodies,’ while mercilessly running them through drills and routines. This continues until the recruit called ‘fat body’ kills the drill instructor and himself. 

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