Sunday, December 02, 2007

Two Pakistani Musicians Want To Change The World


God bless them. I hope they achieve their dream. If Gangsta Rap can turn a whole generation of kids into pimps and hos, then why can't a better idea, expressed through the inspirational medium of music, also bring about change?

From the Weekly Standard:


"The Bombs of Dhamma"
Pakistan's pop music scene by Daveed Gartenstein-Ross & Nick Grace

Singer-songwriter Imran Raza and guitarist Faraz Anwar hope to bring an unlikely revolution to Pakistan--one guided by Sufi-oriented music inspired by Led Zeppelin and Metallica. The country's music-averse extremists were quick to take notice.

Raza, 35, was born in Pakistan but raised in the United States. Sporting Dolce & Gabbana designer clothes, a shaved head, and Prada sunglasses, he reflects a Southern California sensibility. A former University of Southern California student who has been writing songs since his teenage years, Raza went back to school in 2001 to study film and poetry in pursuit of his dream of producing a rock opera.

Less than a month after classes began in August, he woke up in his penthouse apartment to the news of 9/11. In the aftermath of the attacks, Raza more than once heard bigoted remarks about Muslims; since he looked more like a rocker type than a Middle Easterner, people weren't on their guard around him. Raza says he felt more outrage at the attacks themselves and the Taliban's brutal rule in Afghanistan than anger at the comments--but both reinforced his desire to work against bigotry.

Two years later, Raza returned to Pakistan to film a short documentary as part of his studies. He discovered a vibrant music scene, for which rock musicians had one man to thank: President Pervez Musharraf, who had privatized the country's television stations the year before. Suddenly Pakistan boasted 20 channels, 3 of them dedicated to music. The result was an explosion of opportunity reminiscent of the early days of MTV: Airtime had to be filled, and a lot of stars emerged, many of them one-hit wonders.

Raza saw his chance to create a music comfortable for South Asians that would combine Western freedoms and his own commitment to Sufism, which to him is characterized by a mystical and tolerant practice of Islam. "Sufism's core message," he says, "is one of pluralistic understanding. It is very complex, and there are different aspects of how it addresses different human situations and relations with God."

Raza began looking for a musical collaborator. The search took four years, but was finally successful. Faraz Anwar, 30, had won Pakistan's national music competition at the age of 11, and had become a full-time musician at 14, touring as a guitarist with top-tier acts. Counting his recordings as a session musician, Anwar has sold over 30 million albums--no small feat in a country where music piracy is rampant. Although popular performers had tried to form bands with Anwar, he had always turned them down.

It was President Musharraf who introduced Raza and Anwar. Raza had a family connection with the president--an uncle had gone through officer training with Musharraf. Last May, Musharraf and Raza saw each other at a Sufi musical performance at the governor's house in Karachi, and Raza struck up a conversation with the president, a fan of classic rock. Raza explained his musical project and expressed an interest in working with the legendary Anwar.

Days later, Raza found himself in Anwar's modern recording studio in Karachi. Above an impressive guitar collection hung two six-foot posters, one of Jimi Hendrix and one of Anwar. Anwar was initially dismissive--but when he flipped through Raza's lyrics, a song called "The Bombs of Dhamma" caught his eye. Dhamma is the Pali word for dharma, which Raza explains as "an enlightened state of purified intentions where one doesn't desire to do anyone harm." The song proclaims: "I believe in enlightened moderation, the beauty of knowing who you are." It calls for "Bombs of purity and bombs of joy / Bombs of peace and bombs of love / Bombs of harmony and bombs of compassion / The bombs of dhamma."

On reading this, Anwar exclaimed in Urdu, "Finally someone has come my way who is on my level!" The two musicians began recording Raza's songs. The first one they tackled was "Fly with Us," which mixes South Asian flutes and classical Sufi singing with classic rock. Speaking of the need for "a real reformation," the song contrasts religious intolerance with the fresh spirit of classic rock, inviting listeners to spurn extremism and "fly with" Led Zeppelin, Pink Floyd, and the Beatles.

Early in their recording sessions, unmixed clips of "Fly with Us" and "The Bombs of Dhamma" were leaked to the Pakistani media. They were played on the radio. Though other artists had released songs promoting tolerance, Raza's lyrics were especially direct. Religious extremists got the message and issued death threats against him. Provided a security detail by the government, Raza only became more outspoken. "What bothered me," Raza said, "is that the mullahs are able to muzzle speech and force others to bow through violence and retribution."

Anwar went further in a phone call with us from Karachi, challenging the extremists' theology. "They do not follow Islam," he said. "They have created something of their own. Basically, they are not educated people, and they don't even know what the Koran says."

During his most recent trip to Pakistan, Raza was afforded a glimpse of the celebrity that may be in store for him. Though his local number was unpublished, his cell phone rang incessantly with calls from journalists. One of Raza's bodyguards began fielding the calls so he could focus on his studio work.

Though Raza and Anwar haven't yet completed an album, the leaked songs have gained them plenty of attention. In addition, the youth-oriented television channel Aag played a music video of their song "Be Like the Onion"; the response promptly landed it on the channel's "flaming hot" rotation. Raza hopes to complete an album by the end of 2008. And he still aspires to produce his rock opera centered on the themes of liberty and pluralism.

Pakistan's music scene has declined in the past five years. Because piracy remains unfettered, musicians rely on live performances for revenue. Concertgoers generally represent the most progressive element of society, young people either hailing from liberal families or rebelling against conservative ones. Musicians tend to be influenced by MTV and Western rock in both sound and look: There are long-haired performers and glammed-up pop stars. They typically perform in venues seating between 2,000 and 10,000. Among music fans there is a sense that social change is needed, but the feeling is diffuse, not connected to any program for action.

The rise in militancy in recent years has hit musicians hard. The Taliban and al Qaeda-led campaign against music stores across northwest Pakistan saw 20 stores bombed in May and 25 attacked in June and July. In October, a bomb ripped through the large Musafir CD Centre in Peshawar. A concert would make an ideal target for a suicide bomber.

In this environment, any live musician performs in an atmosphere of threat. It is unclear, however, whether others have been personally targeted. Raza noticed that the lead singer of a band called Fuzon seemed to have a government security detail, but he too may benefit from a connection to Musharraf.

Certainly Anwar and Raza know the risks. Military affairs analyst Bill Roggio said, "Raza and Anwar show real courage, as their music strikes at the core of the extremists' message. The Taliban will stop at nothing to silence them." But Anwar and Raza are undaunted. Said Raza, "Whatever you do in life, you have to do it with sincerity. If that involves risks, so be it."
Please note, before you comment, that I am aware that Sufi thinkers have been supporters of Jihad. Nevertheless, Sufism is unique as a strain of Islam which has been almost totally peaceful throughout history.
Add to that the fact that, as the title of this article indicates, these Sufi musicians are combining Sufi mysticism with Hindu ideas such as Dharma, and I believe you have an actual recipe for change.
I am not saying things will change, necessarily. Instead I am saying I support what these guys are doing and let us all hope it works, as least a little bit.

3 comments:

Anonymous said...

Rock Music and western youth culture may be a weapon against Islam we didn't realise we had.

I came across this article at the Wahhabbi site Ummapulse http://ummahpulse.com/index.php?option=com_content&task=view&id=269&Itemid=38

"The most recent invasion into the Muslim world post-Iraq and Afghanistan is not by cruise missiles, napalm bombing, or even strategic land invasion but rather by MTV Arabia.

MTV's website boasts that it's "influenced how young people all over the world dress, think, and talk". The MTV Arabia's site further describes its channel as having an "immeasurable impact on youth culture across the globe"....


"My Super Sweet 16 takes you on a wild ride behind the scenes for all the drama, surprises and over-the-top fun as teens prepare for their most important coming-of-age celebrations." This and other programmes which claim to be "culturally sensitive" to the region are being aired in Egypt, UAE and the Kingdom of Saudi Arabia! MTV Arabia is not filling a vacuum in the Middle East but entering an already competitive and emerging market of westernised music, video and "mild" pornography. Rotana is one of the leading music video channels in the region, owned by the billionaire Saudi Prince al-Waleed Bin Talal, and features the likes of Nancy Ajram who is known for her willingness to dance half naked as an expression of emancipation.....

This is the representation that needless-to-say will be seen as a marked success for those who aim to see a reformation of Islam and Muslims. Indeed, music is being used as a major weapon in the reformation project and it's effectiveness in drawing whole generations into a life of triviality and hedonism is evident."


This fear of Western popular music goes back a long way . In 1982 Clash had a hit with 'Rock the Casbah' with lyrics (which would be totally unPC nowadays) inspired by the banning of rock music in Iran under Ayatollah Khomeini:

"Now the king told the boogie men
You have to let that raga drop
The oil down the desert way
Has been shakin to the top
The sheik he drove his cadillac
He went a cruisin down the ville
The muezzin was a standing
On the radiator grille

Chorus
The shareef dont like it
Rockin the casbah
Rock the casbah
The shareef dont like it
Rockin the casbah
Rock the casbah

By order of the prophet
We ban that boogie sound
Degenerate the faithful
With that crazy casbah sound
But the bedouin they brought out
The electric camel drum
The local guitar picker
Got his guitar picking thumb
As soon as the shareef
Had cleared the square
They began to wail

Chorus

Now over at the temple
Oh! they really pack em in
The in crowd say its cool
To dig this chanting thing
But as the wind changed direction
The temple band took five
The crowd caught a wiff
Of that crazy casbah jive

Chorus

The king called up his jet fighters
He said you better earn your pay
Drop your bombs between the minarets
Down the casbah way

As soon as the shareef was
Chauffeured outta there
The jet pilots tuned to
The cockpit radio blare

As soon as the shareef was
Outta their hair
The jet pilots wailed

Chorus

He thinks its not kosher
Fundamentally he cant take it.
You know he really hates it."



And even further back in the 1940's Sayyid Qutb, one of the founders of the modern jihad movement, spent some time in Greeley, Colorado, which was a conservative place and represented, for Americans, the best the country had to offer. But Qutb wrote very disparaging letters about Greeley to Egyptian colleagues.

Ever since the mid-1940’s, if not before, Qutb was writing about the abject materialism of Western civilization, and at Greeley, he was face to face with that materialism — the source of the degeneracy which was spreading into the lands of Islam.

He was dismayed by what he regarded as the promiscuous relationships between men and women.

There’s a famous episode where Qutb attended a sock hop at a Greeley church, and the pastor played on the gramophone the famous Big Band song of the day, “Baby, it’s Cold Outside.” Qutb was scandalized as he watched young people dancing with each other.

Qutb was a life-long bachelor. He projected a lot of stuff on to women. He regarded women as a potential source of fitna, or social discord … Qutb was very afraid of the effects of sexuality as something that would compromise his identity as a God-fearing Muslim.

If you look at his book Thorns, at the episodes he says that he experienced in the United States, women are always there in the background as temptresses. From http://www.worldpress.org/Mideast/2150.cfm

Anonymous said...

Dean Martin. "Baby It's Cold Outside." First thing every morning on the CD player all the way to work. I think next time I go by the local halal market I'll drive around the parking lot a few times with the windows open.

Thanks for the Casbah lyrics, love that one.

I think I do need a new invite. Like everything else, I've probably misplaced the old one. Thanks for asking.

Pastorius said...

Email me at

cuanasblog@yahoo.com