The Imad Mugniyah children's museum

Under the title "Nabatiya Journal," the New York Times has produced what is apparently a full spread on Hezbullah's newest 'educational tool': A museum glorifying assassinated terrorist Imad Mugniyah.

The children crowd forward around the glass case, eager for a glimpse of the martyr’s bloodstained clothes. His belt is here, and the shoes he died in, scarred with shrapnel. The battered desk where he planned military operations still has his box of pencils on it, his in-box, his cellphone.

“May God kill the one who killed him,” an old woman says, wiping tears from her eyes as she stares through the glass.

The dead man being shown such veneration is Imad Mugniyah, the shadowy Hezbollah commander. Until his death in a car bombing in Syria in February he was virtually unknown here, his role in the militant Shiite group clothed in secrecy. But since then Hezbollah has hailed him as one of its great military leaders in the struggle against Israel....

If the exhibit is testimony to Mr. Mugniyah’s new public status as a Hezbollah hero, it is also evidence of the group’s increasingly sophisticated efforts to capture the hearts and imaginations of a new generation.

Hezbollah has organized similar exhibits before, most notably a mock-up of a military bunker that opened in southern Beirut a year ago, titled “The Spider’s Web,” to commemorate the first anniversary of the 2006 war.

But the new presentation is more extensive. It was conceived by the architect Ahmed Tirani and built in just three weeks by a staff of 290 working around the clock. In addition to an extraordinary array of weaponry and martyrs’ paraphernalia, it includes a large indoor room that was remodeled to resemble “what we believe the martyrs’ heaven is like,” according to one of the guides on duty.

In the darkened room, a figure representing a dead Hezbollah fighter lies on his back on a large sloping bank of white flowers. A sound of exploding bombs gives way to patriotic anthems as a screen shows a brilliant sunset and a coffin being carried through a dark forest. Later, a laser show illuminates the darkness. Other videos braid together images from the 2006 war, including some showing Mr. Mugniyah, along with scenes of Hezbollah soldiers training in the green hills of southern Lebanon.

On a recent afternoon, busloads of schoolchildren were arriving to see the exhibit, with a group of Boy Scouts.

“I came here to teach my kids the culture of resistance,” said a visitor who gave his name only as Ahmed, as he stood with his wife and two children. “I want them to see what the enemy is doing to us, and what we can do to fight them, because this enemy is not merciful.”

I wonder if the Boy Scouts would regard the museum as just another place to visit like the Times does.

Something is seriously wrong when this sort of 'exhibit' is the only 'culture' that a society can produce. And something is seriously wrong when a newspaper that regards itself as America's pre-eminent print journalism produces a report on the 'museum' that is nearly as much of a tribute to Mugniyah as the museum itself. The only hint of who Mugniyah was is the following:

Israel has denied any role in the Mugniyah killing, which took place in Damascus, the Syrian capital. But Israeli and Western agents had spent 25 years pursuing Mr. Mugniyah, who was blamed for a series of spectacular attacks, kidnappings and hijackings, including the suicide bombing of a United States Marines barracks in Beirut that killed 241 American service members in 1983.

Mugniyah was likely the pre-eminent terror tactician of his generation. I don't know who killed him, but I'm happy he's gone. For those who are interested, the Times has more pictures and a slide show at the link above. Personally, I found it sickening.

Cross-posted to Israel Matzav.