Fjordman put up an important post over at Gates of Vienna today. It's about what our bud Dag calls Dhimmi Fascism. That is, the Left's insatiable desire to suckle themselves on the phalli of fascists:
I have heard some people say that Western popular culture will destroy Islam. That is possible, but we need to remember that this is not a one-way street. What if the opposite happens? Sometimes the barbarians also influence the civilized people, and there is a disturbing amount of “understanding” for terrorists in Western movies and media these days. Creeps come crawling out of the woodwork, more or less cheering for the terrorists who are trying to bring society down.
There are probably always people who are drawn to blood and mayhem. They would like to destroy the current political order, but aren’t capable of doing it themselves, so they end up as cheerleaders for those who are attempting to do so. Let’s call them “terrorist groupies.”
I’m not just talking about the Oscar-nominated suicide bomber film Paradise Now. There are others examples of this mentality.
“V for Vendetta” is a recent movie made by the Wachowski brothers, the men behind the modern sci-fi classic “The Matrix.” It is set in Britain about a generation from now. The USA has dissolved into chaos and civil war after its involvement in a prolonged war in the Middle East. Great Britain has become a Fascist state. The protagonist, a “freedom fighter” named V, wants to ignite a revolution and brags about how blowing up a building can change the whole world. He is wearing a Guy Fawkes mask to conceal his identity, and proclaims that he wants to finish at November 5th what Fawkes tried to do in the so-called Gunpowder Plot in 1605: Blowing up Parliament. He gets an accomplice in this task, a young girl named Evey, played by Israeli-born actress Natalie Portman. Portman cites a popular British rhyme that is often quoted on Guy Fawkes Night:
”Remember, remember, the 5th of November
The Gunpowder Treason and plot;
I know of no reason why Gunpowder Treason
Should ever be forgot.”
During the movie, we see a gay man keeping a 14th century Koran in a secret room in his house, because he enjoys “the beautiful poetry and imagery” in it. He is later executed when the authorities discover this, as the Koran is now banned and Muslims are oppressed.
What beautiful imagery we are never told. “And slay them wherever ye catch them”? “I will instill terror into the hearts of the unbelievers: smite ye above their necks and smite all their finger-tips off them”?
At the same time, the Church is shown to be a place of filth, corruption and hypocrisy. Islam is good and “misunderstood,” Christianity is bad and oppressive.
In the final scene of “V for Vendetta,” the British Parliament is blown up, with hundreds of thousands of people in Guy Fawkes masks watching and Tchaikovsky’s “1812 Overture” blasting from loudspeakers, fireworks crackling and Natalie Portman smiling.
In Hollywoodistan, gays admire the beauty of the Koran. In real life, gays are physically attacked in increasing numbers by Muslims in Europe, and death squads are targeting gays in Islamic countries such as Iraq.
Go read the whole thing.
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