Can We Have Western Values Without Christianity? || The Konstantin Kisin Interview

The Babylon Bee Talks With Elon Musk at Twitter Headquarters

Here, at 28:12, Elon Musk says, "We believe in the 1st Amendment, and in the 2nd Amendment, for protecting the 1st Amendment."

Elon Musk Promotes 'What Is A Woman,' Doc Hits OVER 100 MILLION Views

Scheherazade

MISSOURI VS BIDEN: Judge in Missouri v Biden ain't buying what the government's shoveling

 

If you haven’t been following the case of Missouri v. Biden, you should. It’s probably the most important civil liberties case in the history of the United States. The Biden Administration has been shown in court to have employed a vast censorship apparatus that admittedly suppressed truthful information - and some of the answers given by the Biden team to the judge’s questions are truly chilling.

The Missouri v Biden lawsuit sprang from underhanded censorship dealings the Biden administration began with the social media companies almost the second they ascended to the throne. 

Literally 3 days after Biden took office, the government’s censorship operation was flying. The White House immediately launched a pressure campaign on social media platforms to suppress supposed “COVID misinformation.” 

The Surgeon General launched his signature “disinformation” initiative at a Virality Project event at the Stanford Internet Observatory. And, Biden himself publicly pressured platforms on July 16, 2021—one day after his press secretary Jennifer Psaki and Surgeon General Vivek Murthy did the same, as the plaintiffs describe in their filing. 

Everyone from COVID lockdown, vax and masking critics to scientists who had conflicting data in their hands, and just wanted to present it to the public – such as the signers of the Great Barrington Declaration – were driven from view, pilloried from the public square, many times hounded out of their jobs and livelihoods their long established, spotless professional reputations were in tatters. All to promote the government’s approved narrative, their chosen treatments, and favored pharmaceutical partners. 

There were no allowances made for First Amendment Rights in their dogged pursuit of complete control of the information flow. Posts, memes, papers and tweets that were contrary to that goal, even if correct were flagged as “disinformation,” and smothered or completely removed, and the author blocked from whatever the site was after said “infraction” were theatrically deemed either enough or so serious action must be taken to protect the public. 

Thanks to Joe Biden’s Soviet-style Politburo controlling the airwaves and all media with an iron and unconstitutional fist, the first few years of his term brooked little public discussion. 

…As the evidence proves, there was conspiracy behind the censorship. The White House campaign integrated with the Surgeon General, the CDC, and Census Bureau campaigns drew directly from White House pressure. NIAID and NIH censorship efforts draw from the CDC. CISA, FBI, DOJ, ODNI [Office of the Director of National Intelligence] and other agencies worked together and all participate in meetings together to facilitate pressure and censorship. CISA and the FBI worked together to censor the Biden laptop story. NIAID and NIH conspired together to censor the lab-leak theory and Great Barrington Declaration [co-authored by plaintiffs Bhattacharya and Kulldorff]. NIAID [Fauci’s former division at the NIH] is embedded in White House censorship activities. CISA and GEC [Global Engagement Center, the State Department’s censorship arm] coordinate with each other and with NGOs like the Election Integrity Partnership.  

This isn’t a guess. They have the evidence. This happened.

GO READ THE WHOLE THING. 

#MissourivBiden

If you aren't up on this important case, UncoverDC has been covering it in great detail. The #TwitterFiles gave the info to the public, but this case is proving that taxpayer dollars have been used to violate 1st Amendment protections in federal court. https://t.co/7vNlUz8E7Q

— Robert Patrick Lewis (@RobertPLewis) May 30, 2023

Megyn Kelly Explains Why She Will No Longer Use "Preferred Pronouns" as Trans Ideology Grows

In a recent segment on her podcast, Megyn Kelly explained why she has changed her mind about the trans agenda and why she will no longer use preferred pronouns. Kelly explains how she used to feel about the issue, and that she didn’t think it was a big deal. Yet now, we have moved beyond the slippery slope in many ways and Kelly is rejecting it. She talks about how important it is for girls and women to have their own spaces.

MORE:

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Art Ensemble of Chicago

Bar Stool Preachers

One Fool Down

Why Experts Are Suddenly Freaking OUT About AI | Tristan Harris

Islamist in Europe creates transsexual Muslim superhero

In this interview on Yahoo UK, originally from a European LGBT news source, a writer who may be a Muslim came up with something that's unlikely to please all followers of the Religion of Peace, even if it's meant to serve as some kind of bizarre virtue-signaling propaganda for whitewashing Islam:

David Ferguson chatted to Bijhan Agha, creator of the new science-fiction comic Time Wars: the Adventures of Kobra Olympus, which centres around a young gay, trans and Muslim character. He found out more about Agha’s influences, the comic’s story and the Kickstarter campaign to fund the project.

As this is a comic book project, what comics did you like growing up?

You know, I didn’t have a lot of money growing up, and by the ’90s, the cost of comics was quite high relative to the page count. So I didn’t get to read a lot of the comics which were being printed at the time.

But we had a local library, the White Center branch of the King County Library System, where they would have these thick comic book reprints using just the black line artwork on cheap yellow paper. These things had to have at least a hundred issues in each volume.

This is where I experienced the classics. Spider-Man from the 1960s. Justice League from the 1970s. Ninja Turtles and X-Men from the 1980s. But the one that influenced me the most, as a young queer person, was the Wonder Woman comic compendium from the 1940s.

What influenced you about these comics, in a good or possibly bad way?

In all comics, I loved the sense of wonder and imagination. There was no attempt to anchor the storytelling in our own world, allowing for a sophisticated and unpredictable mythology. Yet at the same time, the emotional reality of the characters was crystal clear, allowing you to perfectly understand what they were going through.

In Wonder Woman, in particular, I found a celebration of femininity and a clear thesis on what feminine leadership looks like compared to masculine leadership. This message was planted in me like a seed that wouldn’t sprout until I was much older.

One must wonder what could possibly have impressed upon this writer in WW, seeing how such a classic Golden Age creation didn't emphasize the kind of perversions we see today, where femininity is being villified in women, yet elevated in men. Not to mention that the Religion of Peace practically disrespects femininity when it demands women wear burkas/chadors/abayas at the expense of their health. And the writer of this comic adds insult to injury by emphasizing something WW didn't celebrate decades ago.

For the benefit of those unfamiliar with your comic Time Wars: the Adventures of Kobra Olympus, what would be your ‘elevator pitch’ to readers?

Time Wars is a universe in which time travellers from the 161st century are coming back in time to help us in the past wage a covert war against the Vampires who are manipulating history to create inequality and strife. Kobra Olympus is a young gay trans and Muslim woman who has been recruited by a time-travelling agent to use technology from the future to fight literal monsters who live in the shadows of society.

What if it turns out those "monsters" are metaphors for non-Muslims? Then this is a most hypocritical production, because it'd be elevating Islam and transsexuality for sainthood, while making "infidels" out to be the baddies. This reminds me of a report on a Muslim "scholar" who accused Jews of what the comic tells about. In that case, what if it turns out these vampires are metaphors for Jews? Shudder.

I adore cinema and television, and I would love to write for them in the future. But my experience with comic book adaptations and the “cinemafication” of comics leads me to believe that the story being told must fit the medium.

The medium, as they say, often is the message. For that reason, I tried to abstain from channelling the language of cinema into the comic, and focused on literary and comic inspiration.

This sounds like more virtue-signaling from somebody who read Sean Howe's past commentaries on how too much cinematic approach has ruined modern comicdom, and wants to make it sound like a follower of the Religion of Peace actually respects arguments made by people with far better understandings of what went wrong with comicdom. In other words, we're literally supposed to embrace and adore this writer because he/she is an Islamist?

The personal part of Time Wars was really engaging – it felt genuinely character driven. Did you feel any pressure to represent your Muslim culture as well as the trans community?

I hope we someday reach a time when a trans and/or Muslim artist can create artwork which is sincere and true to themselves without feeling like they’re somehow representing others as well.

When a white American man makes an action movie, he doesn’t think about how it will reflect on white people, Americans, or men; he just makes what he likes. But that’s not an option for people who are marginalized by society. When we make art, politics depersonalizes it and makes it either an achievement or a failure of the label we share with others.

When I wanted to make a comic, I decided to emulate the greats. I had two main inspirations for what I wanted to do. On the one hand, outright activism like Dr Marston and Wonder Woman. When he wrote that comic, he did so with the explicit goal of educating young boys on how to accept feminine leadership and treat women with respect.

Then, on the other hand, you have pure self-expression, like Stan Lee and Spider-Man. Peter Parker’s daily misadventures paralleled Stan Lee’s own troubles with women, cars, rent, and more.

Therefore I wanted to tell an exciting and relatable adventure as Stan Lee would, but with the explicit political goal of fostering goodwill for trans and Muslim people in the nerd community, like Dr Marston would. So, my intention was, first and foremost, to make something fun and entertaining but to inject it with my real lived experiences to show how easy it is for everyone to relate to us when given a chance.

Well this sure is classic hypocrisy indeed. All coming from somebody who refuses to acknowledge the verses in the Koran disrespecting women, how honor murders are legitimized under Islam, or how many women in Islamic regimes are forced to wear niqabs, much like the trans-star of the show in focus is, which sure doesn't provide the wearer with an identity. But, this does raise an important point to make: based on Islam's disapproval of homosexuality for starters, a woman pretending to be a man and/or got a sex change operation would not have her claims accepted in a stringent Muslim regime like Iran and Afghanistan, period, and would be forced to wear a niqab, or could be subject to even worse, like execution. Even a male transsexual could experience a horror story under the sword of the ummah.

So this comic project is little more than an insult to the intellect, topped off by how interviewer and interviewee deliberately make an Islamist look like the smart one to be listened to, all through the lensing of hypocritical double-standards. Or, in other words, taqqiya (deception). Yet based on Islam's ostensible abhorrence for homosexuality, that's why there's little chance the Muslim world in its majority would accept such a propaganda product, which may be marketed more for the non-Muslim world, to serve as deceptive propaganda whitewashing a religion that's very contemptible of femininity, and to make the star of the show a transsexual only heaps on the insults in any event.

Mind Manipulation — Who is in Control? Part 1

Vlad Tepes Blog comments:

This link is to a video on mind control from Children’s Health Defense. It is not way out there. It deals with the ordinary. And it starts a little slow. But it is worth the time. Ilana Daniel has put together a lot of the current policies and technologies to suggest a general theme of controlling the future by controlling the minds of children. She references back to the CIA’s secret experiments on Canadians and Americans which created the Unabomber among who knows how many other villains. This was known as MK Ultra. As far as we know, no trials have taken place for the people responsible for these experiments on unwitting subjects. Ted Kazinsky is still in jail though.

Not To Touch The Earth

Some outlaws lives by the side of the lake

The Minister's daughter's in love with the snake

Who lived in the well by the side of the road
 Wake up, girl, we're almost home ...

ELO

Evil Woman

Free Julian Assange: Noam Chomsky, Dan Ellsberg & Jeremy Corbyn Lead Call at Belmarsh Tribunal

Some of the people who participated in this tribunal are not my favorite people (i.e. Jeremy Corbyn). I am not usually a fan of Democracy Now. But this is an important subject.

SLOWCIALISM! A New Print By Bosch Fawstin

 Bosch says:

I drew this cartoon for an article at Jihad Watch and the left column. California republican Speaker Kevin McCarthy represents most republican politicians today, and he put in weasel words the meaning behind the pun I made up about a decade ago. It's now available as a print at my store https://www.boschfawstin.com/store/