Quartet For The End Of Time

Composer: Olivier Messiaen


Messiaen was 31 years old when France entered the war against Germany. He was captured by the German army during World War II in June 1940 and was imprisoned in a prisoner-of-war camp. While in transit to the prisoner of war camp, Messiaen showed the clarinetist Henri Akoka, also a prisoner, the sketches for what would become Abîme des oiseaux. Two other professional musicians were also among his fellow prisoners (violinist Jean le Boulaire and cellist Étienne Pasquier), and after he managed to obtain some paper and a small pencil from a sympathetic guard, Messiaen wrote a short trio for them; this piece developed into the Quatuor for the same trio with himself at the piano. The combination of instruments is unusual, but not without precedent: Walter Rabl had composed for it in 1896, as had Paul Hindemith in 1938.

The quartet was premiered in Stalag VIII-A in Görlitz, Germany (currently Zgorzelec, Poland) outdoors in the rain on January 15, 1941, with old, broken instruments before an audience of about four hundred fellow prisoners of war and prison guards. Messiaen later recalled: "Never was I listened to with such rapt attention and comprehension.

V. "Praise to the eternity of Jesus", for cello and piano.
Jesus is considered here as the Word. A broad phrase, "infinitely slow", on the cello, magnifies with love and reverence the eternity of the Word, powerful and gentle, "whose time never runs out". The melody stretches majestically into a kind of gentle, regal distance. 

"In the beginning was the Word, and Word was with God, and the Word was God." (John 1:1 (King James Version))

The music is arranged from an earlier, unpublished piece, "Oraison" from "Fêtes des belles eaux" for 6 Ondes Martenots, performed at the Paris World Fair in 1937. The tempo marking is infiniment lent (literally "infinitely slow").